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THE SCREWTAPE LETTERS


Wednesday, April 10, 2013 7:30PM
Mary Stuart Rogers Theater

THE SCREWTAPE LETTERS
 








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Starring Max McLean as Screwtape!

The Screwtape Letters is a smart, provocative and wickedly funny theatrical adaptation of the C.S. Lewis novel about spiritual warfare from a demon’s point of view.

The play, set in an eerily stylish office in hell, follows the clever scheming of Satan's chief pyschiatrist, Screwtape, as he entices a human 'patient' toward damnation. In this topsy-turvy, morally inverted universe God is the “Enemy” and the Devil is “Our Father below.”  The stakes are high as human souls are hell's primary source of food.

As His Abysmal Sublimity, Screwtape is a “master of the universe” character who mesmerizes the audience as he allures his unsuspecting 'patient' down the “soft, gentle path to Hell.” At his feet is Screwtape's able assistant, Toadpipe, a grotesque creature demon, who transforms her elastic body into the paragons of vices and characters Screwtape requires to keep his patient away from the "Enemy."

Along with The Chronicles of Narnia (including The Lion, The Witch and The Wardrobe), The Great Divorce and Mere Christianity, The Screwtape Letters is still one of Lewis’ most popular and influential works.  The book's success is due to its piercing insight into human nature and the lucid and humorous way Lewis makes his readers squirm in self-recognition.  When first published in 1942 it brought immediate fame to this little-known Oxford don including the cover of Time Magazine.

Lewis dedicated the work to his close friend J. R. R. Tolkien who had expressed to Lewis that delving too deeply into the craft of evil would have consequences. Lewis admitted as much when he wrote: “Though I had never written anything more easily, I never wrote with less enjoyment . . . though it was easy to twist one’s mind into the diabolical attitude, it was not fun, or not for long. The work into which I had to project myself while I spoke through Screwtape was all dust, grit, thirst, and itch. Every trace of beauty, freshness, and geniality had to be excluded.”


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